THE IMPORTANCE OF OXUNJON SAFAROV'S VIEWS IN THE THEORETICAL DEVELOPMENT OF UZBEK CHILDREN'S FOLKLORE
Keywords:
children's folklore, song, game, lullaby, term of endearment, oral creativity, artistic creativityAbstract
This article discusses the emergence of children's folklore studies and the role of Oxunjon Safarov in its theoretical development. Throughout his life, the scholar collected samples of children's folklore directly from the oral traditions of the people, analyzed them textologically, and published them in various collections. As a result, he enriched the treasury of Uzbek children's folklore with such collections as "Boychechak" (containing 10,580 lines), "Alla-yo alla" (around 3,000 lines), "Chittigul" (2005), which includes about 1,000 games, and "Uzbek Folk Children's Games" (2011), which presents a classification of traditional games.
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Jahongirov G. Uzbek children's folklore. – Tashkent: Uchituvchi, 1975. – 102 p.
Safarov O., Safarova H. Uzbek children's games decorated with songs. “Soviet School”, No. 2, 1985. 32-33 p.
Galiev Sh. Uzbek children's game folklore. – Tashkent: Fan, 1998. – 96 p.
Safarov O. Uzbek children's poetic folklore. – Tashkent: Uchituvchi, 1985. –147 p.
Avezov S. Nature and art of the number genre. Dissertation abstract. – Tashkent, 2004. –19 p.
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