METHODOLOGICAL AND THEORETICAL FOUNDATIONS OF HANDICRAFT ART EDUCATION IN UZBEKISTAN

Authors

  • Nuridinova Guzal Akmalovna Republican specialized design school

Keywords:

art, craftsmanship, design education, aesthetic upbringing, practical training, educational technologies, innovative methods.

Abstract

 This article highlights the methodological and theoretical foundations of the education system of applied (handicraft) art in Uzbekistan. It analyzes the historical experience of traditional craft schools, modern pedagogical approaches, and innovative technologies for teaching national applied art. The study reveals the role of various types of applied arts (jewelry-making, pottery, decorative painting, weaving and carpet weaving) in the educational process, the essence of the competence-based education model, as well as integrative and project-based practical approaches.

 

 

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References

Raximov M. K., Zamonaviy badiiy keramikada varod an’analari Uzbek halqida, T., 1964;

Kosimov.K. Nakkoshlik. T. «Ukituvchi» 1992y.

Bulatov, C. S., & Jabborov, R. R. (2010). Falsafiy va psixologik

tasviriy san'at asarlarini tahlil qilish (monografiya). Fan va texnologiya nashriyoti.

Jabborov, R. (2019). Talabalarga asoslarni o‘rgatish orqali tasviriy san'at ko'nikmalarini shakllantirish.

Bulatov S.S. Uzbek xalk amaliy-bezak san’ati. Ukuv uslubiy qo‘llanma. T. 1991y

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Published

2026-02-13

How to Cite

Nuridinova Guzal Akmalovna. (2026). METHODOLOGICAL AND THEORETICAL FOUNDATIONS OF HANDICRAFT ART EDUCATION IN UZBEKISTAN. Journal of Applied Science and Social Science, 16(02), 599–601. Retrieved from https://www.internationaljournal.co.in/index.php/jasass/article/view/3288