ALEKSANDR FAYNBERG’S “KECHA” POEM: POETIC SPACE, SYMBOLIC STRUCTURE, AND EXISTENTIAL MEDITATION

Authors

  • Odilova Charosxon Shavkatjon kizi UZBEKISTAN STATE WORLD LANGUAGES UNIVERSITY ENGLISH FACULTY №2

Keywords:

Faynberg, Kecha, Uzbek poetry, poetic space, symbolic structure, chronotope, existential meditation, phenomenology, semiotics, modernist poetics, sensory imagery, ontological reflection, national aesthetics

Abstract

This study provides an in-depth analysis of Aleksandr Faynberg’s poem “Kecha” as a multi-layered poetic system. The research employs structural poetics, hermeneutics, semiotics, phenomenology, and existential approaches to examine the poem’s spatial and temporal models, the light–darkness opposition, sensory poetics, national-aesthetic components, and ontological meaning. The study demonstrates that “Kecha” is not a mere descriptive lyric, but a poetic meditation reflecting inner tranquility and the philosophy of existence (Faynberg, 2008; Karimov, 2008).

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References

Baxtin, M. M. (1975). Problemy poetiki Dostoevskogo. Moskva: Sovetskaya Encyclopedia.

Faynberg, A. (2008). Selected poems. Tashkent: Adabiyot Publishing.

Husserl, E. (1970). The Crisis of European Sciences and Transcendental Phenomenology. Evanston: Northwestern University Press.

Heidegger, M. (1927). Being and Time. New York: Harper & Row.

Jung, C. G. (1968). Archetypes and the Collective Unconscious. Princeton: Princeton University Press.

Karimov, R. (2008). Modern Uzbek poetry and existentialism. Tashkent: Fan Publishing.

Tashkent Literary Review. (2015). Poetic cosmos in Faynberg’s night poetry, 12(3), 45–61.

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Published

2026-02-21

How to Cite

Odilova Charosxon Shavkatjon kizi. (2026). ALEKSANDR FAYNBERG’S “KECHA” POEM: POETIC SPACE, SYMBOLIC STRUCTURE, AND EXISTENTIAL MEDITATION. Journal of Applied Science and Social Science, 16(02), 1015–1020. Retrieved from https://www.internationaljournal.co.in/index.php/jasass/article/view/3406

Issue

Vol. 16 No. 02 (2026): Volume 16 Issue 02

Section

Articles

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