A COMPARATIVE ANALYSIS: THE IMAGE OF SPRING IN CONTEMPORARY UZBEK AND GERMAN POETRY

Authors

  • Adiba Dovudovna Madiyeva,Gulnoz Iskandarovna Khalliyeva Acting Associate Professor (PhD) Uzbekistan State World Languages University, Doctor of Philological Sciences (DSc), Professor Uzbekistan State World Languages University

Keywords:

poetry, spring image, comparative analysis, contemporary Uzbek literature, contemporary German literature, metaphor, spiritual renewal.

Abstract

 This article explores the poetic significance of seasons, specifically focusing on the image of spring in contemporary Uzbek and German poetry. Spring is analyzed not only as a natural phenomenon but also as a profound symbol of spiritual awakening, hope, and the renewal of the human psyche. By comparing the works of Uzbek poets (S. Sayid, I. Mirzo, X. Rustamova, Z. Mirzo) with German authors (N. Gomringer, M. Rinck, A. Kampmann, J. Wagner), the study identifies both universal commonalities and distinct cultural interpretations. While Uzbek poetry portrays spring through a romantic and lyrical lens tied to national traditions, German poetry tends toward minimalist, realistic, and philosophical approaches. The study concludes that despite stylistic differences, spring serves as a common poetic truth reflecting the harmony between humanity and nature.

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References

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Published

2026-02-21

How to Cite

Adiba Dovudovna Madiyeva,Gulnoz Iskandarovna Khalliyeva. (2026). A COMPARATIVE ANALYSIS: THE IMAGE OF SPRING IN CONTEMPORARY UZBEK AND GERMAN POETRY. Journal of Applied Science and Social Science, 16(02), 1021–1023. Retrieved from https://www.internationaljournal.co.in/index.php/jasass/article/view/3407

Issue

Vol. 16 No. 02 (2026): Volume 16 Issue 02

Section

Articles

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