THE FORMATION OF FEINBERG’S CREATIVE WORLDVIEW AND PHILOSOPHICAL SOURCES OF HIS ARTISTIC METHOD

Authors

  • Matlabkhonova Shakhzoda, Zulfia Davronova Third-Year Student, Uzbekistan State University of World Languages Tashkent, Uzbekistan Academic Supervisor,Associate Professor, Uzbekistan State University of World Languages

Keywords:

G. Feinberg, creativity, artistic thought, philosophy of art, memory, literary concept, stylistic and artistic analysis, contemporary literature.

Abstract

This article is devoted to the study of the philosophical, literary, and artistic heritage of G. Feinberg, as well as the analysis of his concepts of creativity, thought, and artistic imagery. Key aspects of his scholarly and literary works are examined, including the relationship between creativity and intellectual activity, the role of memory and inner experience in the formation of artistic consciousness, and the methods of philosophical reflection on literature.

Particular attention is given to the stylistic and conceptual features of Feinberg’s works, as well as their influence on contemporary literary and philosophical thought. Based on the analysis of his works, the main directions and patterns of his artistic-intellectual paradigm are identified, which allows for a deeper understanding of the mechanisms of the creative process and the characteristics of perceiving artistic reality.

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References

Bakhtin, M. M. The Aesthetics of Verbal Creativity. Moscow: Iskusstvo, 2003.

Brown, L. Existentialism and Contemporary Literature. New York: Harper & Row, 2013.

Ivanov, P. A. Contemporary Literature and Human Psychology. Moscow: Nauka, 2012.

Kuznetsov, D. I. Psychological Portrait and Interior Monologue in Artistic Prose. Moscow: Literatura, 2016.

Lotman, Y. M. Analysis of the Literary Text. St. Petersburg: Iskusstvo-SPB, 2010.

Petrov, A. V. Artistic Thought and the Philosophical Interpretation of Literature. St. Petersburg: Academia, 2014.

Feinberg, G. Creativity and Thinking. Tachkent: Literatura, 2015.

Feinberg, H. Artistic Image and Spiritual Quest. Tachkent: Sharq, 2018.

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Published

2026-03-09

How to Cite

Matlabkhonova Shakhzoda, Zulfia Davronova. (2026). THE FORMATION OF FEINBERG’S CREATIVE WORLDVIEW AND PHILOSOPHICAL SOURCES OF HIS ARTISTIC METHOD. Journal of Applied Science and Social Science, 16(03), 74–76. Retrieved from https://www.internationaljournal.co.in/index.php/jasass/article/view/3615

Issue

Vol. 16 No. 03 (2026): Journal of Applied Science and Social Science

Section

Articles

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