"NIGHT AND DAY" AND THE SIXTH SCHOOL OF NOVEL WRITING
Keywords:
Artistic text; structural field; literary continuity; traditionalism; history and time; Kecha va kunduz; O‘tkan kunlar; Walter Scott’s novel; Eastern and Western epics; Jadidism; psychologism; national life; realism; monologic representation; polyphonic thinking.Abstract
This article provides an analytical response to the literary scholar G. Murodov’s research on the intertextual and conceptual connections between the novels “O‘tgan kunlar” (Bygone Days) and “Kecha va kunduz” (Night and Day). The study substantiates that Murodov’s argument—regarding Kecha va kunduz as an innovative attempt to merge and harmonize Eastern and Western literary-aesthetic traditions within a unified artistic framework—is scientifically grounded and supported by detailed textual analysis.
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