NATIONAL TRADITIONAL SINGING ART AS A SOCIO-CULTURAL MECHANISM FOR THE FORMATION OF PERSONAL CULTURAL NEEDS

Authors

  • Sobirov Samandar Sobir o‘g‘li Lecturer of the “National Vocal Art” department, UzSIAC

Keywords:

individual and culture, socio-cultural mechanism, national traditional singing art, communicative function, identificational function, cultural consciousness, musical heritage.

Abstract

This article analyzes national traditional singing art as a socio-cultural mechanism for the formation of personal cultural needs. The aim of the study is to substantiate the communicative and identificational functions of traditional singing in relation to socio-cultural processes between the individual and society. The scientific novelty lies in interpreting national musical heritage not merely as an aesthetic phenomenon, but as a cultural mechanism that actively influences individual consciousness. Cultural studies, cultural phenomenology, and the socio-cultural approach serve as the methodological foundations of the research.

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References

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Published

2026-05-16

How to Cite

Sobirov Samandar Sobir o‘g‘li. (2026). NATIONAL TRADITIONAL SINGING ART AS A SOCIO-CULTURAL MECHANISM FOR THE FORMATION OF PERSONAL CULTURAL NEEDS. Journal of Applied Science and Social Science, 16(5), 625–627. Retrieved from https://www.internationaljournal.co.in/index.php/jasass/article/view/4396

Issue

Vol. 16 No. 5 (2026): Journal of Applied Science and Social Science

Section

Articles

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