A HISTORICAL AND STYLISTIC STUDY OF THE CHRISTIAN DIOR BRAND

Authors

  • Abdurakhmanova N. Joint Faculty of the International Academy of Fashion Paris AICP and TITLP
  • Rakhmatullaeva U.S. Tashkent Institute of Textile and Light Industry, Professor, Department of Fashion and Design, PhD in Philosophy

Keywords:

fashion, haute couture, Christian Dior, New Look, historical and stylistic analysis, brand, clothing design, style, silhouette, haute couture, fashion industry, French fashion.

Abstract

This article examines the historical stages of the formation and development of the Christian Dior brand, as well as its influence on the global fashion industry. It analyzes the distinctive features of the brand's stylistic direction, key elements of its design concept, and the evolution of its fashion collections. Particular attention is paid to the creation of the "New Look" style, which became a symbol of post-war fashion in the 20th century. The study reveals the brand's importance in shaping the aesthetic principles of haute couture, as well as the influence of the House of Dior's creative legacy on contemporary fashion design. 

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References

Sorokina T.A. Ideals of Beauty in the Context of the Mentality of Russian Culture in the 9th-17th Centuries: Genesis and Historical Transformations: Specialty 24.00.01 "Theory and History of Culture": Abstract of a Dissertation for the Degree of Candidate of Cultural Studies / Tamara Aleksandrovna Sorokina. Moscow, 2008, 24 p.

Categories and Concepts of Slavic Culture: Works of the Department of Cultural History / Institute of Slavic Studies, Russian Academy of Sciences, Department of Cultural History of the Slavic Peoples. Moscow: Institute of Slavic Studies, Russian Academy of Sciences, 2007, 800 p. ISBN 978-5-7576-0215-8;

Categories and Concepts of Slavic Culture: Works of the Department of Cultural History / Institute of Slavic Studies, Russian Academy of Sciences, Department of Cultural History of the Slavic Peoples. Moscow: Institute of Slavic Studies, Russian Academy of Sciences, 2007, 800 p. ISBN 978-5-7576-0215-8;

Bushueva S.A. (2013) “Neo New Look”: Historicism in Contemporary Fashion Trends // Proceedings of the St. Petersburg State University of Culture and Arts. No. 198. Pp. 98–102.

Martin K. (1996) Christian Dior. New York.

Mertsalova M.N. (1972) Hist.

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Published

2026-05-21

How to Cite

Abdurakhmanova N., & Rakhmatullaeva U.S. (2026). A HISTORICAL AND STYLISTIC STUDY OF THE CHRISTIAN DIOR BRAND. Journal of Applied Science and Social Science, 16(5), 840–843. Retrieved from https://www.internationaljournal.co.in/index.php/jasass/article/view/4442

Issue

Vol. 16 No. 5 (2026): Journal of Applied Science and Social Science

Section

Articles

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